I want to admit something. I have approached the idea of reviewing the Backstreet Boys’ Millennium this early on in Digital Get Down‘s lifespan with some trepidation. This is one of the Big Ones, after all – perhaps THE biggest and most recognizable boy band album ever released – and I’m worried that it could all be downhill from here. Blowing my wad early. Screwing the pooch. Because how many other boy band records even come close to replicating the all-encompassing success of Millennium? If this is the Biggest Boy Band Album Ever (TBBBAE), why talk about any other boy band albums at all??
But no. I choose not to believe this. In fact, now that I think about it, I’m actually looking forward to getting The Biggest Boy Band Album Ever out of the way so we can get down to teen pop’s nitty gritty. Boy Band History after Millennium is mostly just malaise, earth-tones and soul-crushing anonymity. And what’s more fun than that??
I also want to tackle Millennium for personal reasons, because I feel like I owe something to the Boys themselves. My review of their self-titled American debut didn’t really give them the introduction I feel they deserved. I guess I can chalk that up to it being the first Digital Get Down post ever – a rookie mistake, if you will – but considering the in-depth intro I gave ‘N Sync, I feel like it’s more than fair to even the score. Even if the Backstreet Boys never had the sheer force of personality as many of their contemporaries, they still remain the archetypal American boy band. And that, to me, is an important thing!