Category Archives: Backstreet Boys

Backstreet Boys – Millennium (1999)

I want to admit something. I have approached the idea of reviewing the Backstreet Boys’ Millennium this early on in Digital Get Down‘s lifespan with some trepidation. This is one of the Big Ones, after all – perhaps THE biggest and most recognizable boy band album ever released – and I’m worried that it could all be downhill from here. Blowing my wad early. Screwing the pooch. Because how many other boy band records even come close to replicating the all-encompassing success of Millennium? If this is the Biggest Boy Band Album Ever (TBBBAE), why talk about any other boy band albums at all??

But no. I choose not to believe this. In fact, now that I think about it, I’m actually looking forward to getting The Biggest Boy Band Album Ever out of the way so we can get down to teen pop’s nitty gritty. Boy Band History after Millennium is mostly just malaise, earth-tones and soul-crushing anonymity. And what’s more fun than that??

I also want to tackle Millennium for personal reasons, because I feel like I owe something to the Boys themselves. My review of their self-titled American debut didn’t really give them the introduction I feel they deserved. I guess I can chalk that up to it being the first Digital Get Down post ever – a rookie mistake, if you will – but considering the in-depth intro I gave ‘N Sync, I feel like it’s more than fair to even the score. Even if the Backstreet Boys never had the sheer force of personality as many of their contemporaries, they still remain the archetypal American boy band. And that, to me, is an important thing!

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Backstreet Boys – Self Titled (1997)

I don’t know if there are any good teen pop records.

I don’t even know what that means, or if it even matters. I don’t know how to apply “good” here. For me a “good” album has always meant an album with good songs from beginning to end. The Beatles Stones Radioheads et cetera. Pop music primarily marketed to teenagers, by its very nature, does not work well in this framework. Because who cares about teenagers? Singles plus filler. Sometimes only filler. That is the name of the game.

This is a problem for me because I love pop music for teenagers. I love it in all of is test-marketed, overproduced hot-hunky-boy glory. I love songs with five swarthy buddies in white jackets singing in sweet harmonies. I love pointless Irish Spice Girls knockoffs that nobody asked for. I love poorly choreographed dance routines, awkwardly oversexed lyrics and Chris Kirkpatrick’s dreadlocks. I love it all and I want to live it all, all the time.

I can frame this blog as an attempt to analyse and understand records viewed by most as tawdry, promotional throwaways, to see if there are any great records in the murk. This is not a lie. But the real truth is that this blog is my excuse to devour every teen pop record I can get my hands on, to fully ensconce myself in this world of tanny hunks and smoochy ladies until I can’t escape, until I lose contact with every friend I have and feel good about it, proud. Until I drown like a dog and die in teenager pop. Maybe in the end it won’t even be worth it. But why would I care.

Why would I care.

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